
Really, I’ll never quite get used to new rock that sounds like it was made in the 70s. Eric Nally’s soaring voice (think Freddie Mercury-esque) takes us through 11 spiritually-charged (think organs and choirs) rock tracks, and leaves you feeling like you just took a long ride with the T-tops off. It’s downright refreshing to hear something that promises to be different, and then actually is. Make sure to check this out.
Standout Tracks:
2 – I Like It
3 – Holy Touch
10 – The Streets
Get the album on iTunes here.
You can check out a short promo video for the album on YouTube.



I wasn’t expecting to like this at all. My opinion of Third Eye Blind was not a pleasant one after hearing, “Do-do-do, do-d-do-doo!” thousands of times. Ursa Major has lifted my opinion of 3EB in a big way, though. I found myself liking every single track, which is pretty rare. The album is great – if you’re in the mood for some good, well-written pop/rock, check this out.
Brutal. It’s an overused metal cliche… but isn’t everything about Metalocalypse? This second album of music directly from and inspired by the series is pretty brutal, though. Brenden Small amps up everything for this second go-round. The vocals are a tad bit different this time – his Nathan Explosion is a little more snarly – and the songs in general are bigger. Way fuller-sounding. I’d go so far as “epic”.
My friend Mike was talking about Daisy, and his one-line review read, “It’s Brand New, so of course the new album sounds completely different.” He’s kind of right, but kind of not. For one, Jesse’s lyrics have gotten better over the years; but if you listen to the last three albums – the sound of “Daisy” really isn’t that far removed from the sound of “Deja”. It’s the same Brand New, only more raw and visceral.
So I had heard the name DJ Shadow before, but I can’t for the life of me remember where. I figured it was just another hip-hop mixtape-type release, and I was only a little right. The Outsider spans a surprising number of genres in its relatively short length, and each different genre is insanely well-done. Shadow definitely shows you that his production spans far and wide – it’s very impressive.
When I heard “Kind of a Girl” – it gave me high hopes. One would assume that getting together an amazing group of rock musicians (James Iha, Adam Schlesinger, Bun E. Carlos) and Taylor Hanson would produce some pretty amazing results, right? Instead, it sounds like a serious attempt to fit as many pop stereotypes onto one album as possible. I expected so much more.